Nafrat ke Khilaaf, Aagaaz ki Awaaz! By Sakhi Upadhyaya

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On the 10th of September, Aagaaz headed out to rediscover an old production – performing ‘Duniya Sabki’ at the Nafrat ke Khilaf, Humaari Awaaz event in Lodhi Garden.

After two hours of rehearsal, rehashing dialogues and sharing Biryani, the team left Nizamuddin. We decided we would walk to Lodhi Garden – it was right in the neighbourhood, and we could talk amongst ourselves in our comfortable group of 15. “Log dekhenge kya?”,“Logon ko kaise bulaayein, ya shuru kardein?” were our immediate conversation-starters. It was a different kind of anxious, mixed with the unique wonderment that accompanies every performance. However, this was our own personal (and maybe ‘political’?) intervention in a public space – confronting picnic-goers and Sunday relaxers at the Lodhi Garden with a play that was so dear to us.

So what was this ‘event’ about? Over the past month, thousands of people collected in “citizen protests” across the country, to publicly condemn the violence of ‘hate’ perpetrated against Muslims, Dalits, Adivasis, and other disadvantaged and minority groups. Gradually, each subsequent ‘protest’ became a realization of collective harmony, reflected in the music and poetry that filled the streets wherever #NotInMyName registered a presence. Another such exercise was to take place in Delhi, in 100 localities all over the city. We thus found ourselves at Lodhi Gardens with two volunteers from #NotinmyName and banners that announced, “Nafrat ke Khilaaf, Humaari Aawaaz / Say No to Hatred”.

“Who does this land belong to if not all of us?”, seemed an appropriate question to ask on a lazy Sunday evening in the backdrop of a magnificent tomb, surrounded by families out for a respite, teenagers frolicking around, and ‘grown-ups’ on their day off. We were accompanied by our friends from the Kutumb Theatre Group, who filled the makeshift performance area with the humming of their guitars and the rhythm of their voices. The sun was about to set, and just like that, we had taken our final bow as well. We breathed a sigh of relief that a substantial crowd had gathered. Thank God!

We decided to walk back to Nizamuddin. After a quick check of all our possessions, we left the space just as we had found it. Just like that, our impromptu performance had come to an end. No stage, no lights, no predefined ‘audience’, but ‘Duniya Sabki’ had discovered a new form of itself, one that existed in the minds of those who stopped and looked at a group of young adults telling a story in a public park, even if for a little while. Maybe they had the time to read the banner as well?

Raavan Aaya Travels to the City of Joy- By Sanyukta Saha

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Think Arts and Jhalaphala reached out to us in the month of May to take Raavan Aaya to Kolkata. Raavan Aaya was the opening proscenium play at Jhalaphala’s annual theatre festival for young audiences, Ikir Mikir, supported by Think Arts. We also performed at Mahadevi Birla World Academy and New Town School to middle and high school going audiences. The fourth show was at Swabhav, for a group of theatre practitioners from various grassroot level theatre groups from West Bengal, Delhi/NCR and Jaipur.

We were in two minds when the invitation came in, as we already had plans of traveling to Srinagar during Ramzaan, and knew that we would be pushing the families of the actors by asking them to let their children travel during Eid. We are still a bit taken aback by how little the families resisted to this idea. Two days after the Ballabgarh lynching, we unfortunately had to wish each other Eid Mubarak in hushed tones as we made our way to the City of Joy. Most of the festive day was spent looking ruefully at the glitter and festive glow through our windows as we passed many a small village and town in Bihar and West Bengal.

16 of the cast members, and Anirban, Sanyukta and Naveen (from Third Space Collective) split into two groups at the nostalgia inducing Howrah railway Station, to find our way to homes generously opened up for us by relatives in Jadavpur and Salt Lake City. With 24 hours of travel for the third time in a span of three weeks, the evening had to be spent celebrating Eid, in all sorts of gorgeous finery we assembled at Azad Hind in Ballygunge to fill ourselves up with Biryani, and fill ourselves up we did. Calling it an early night, content with laughter, friendships and amazing food, we prepared for the marathon performances beginning the next day.

We had realized that traveling and coordinating between the two houses that were hosting us was going to be a challenge, what with all the props and costumes we were constantly lugging around. An adventure began on the 27th of June with the show in Gyan manch and the preparations that preceded. The setting up included Neel, the director of Raavan Aaya, on a video call, to check out the light design. Hail modern technology! After the big evening with many familiar faces in the audience (included Neel’s father!), we feasted on famed Kolkata egg rolls. The two shows the next morning were scheduled at schools at opposite ends of the city, and we made it through the humid day, full of anticipation and activity, inspired by the insightful questions and comments that came our way from the students.

The last morning in the city we packed all our bags and headed to Rash Behari Avenue to meet our friends – Vartika and Ankur at Swabhav. The plan was to spend the morning sharing with each other about our practice, and then explore Gariahat before boarding our train back to Delhi from Sealdah station. As we reached the beautiful, old house that is now Swabhav’s nest for the gorgeous work they do, we decided that we could actually perform Raavan Aaya, for all the participants of the playwriting workshop that was in progress. It was a very different experience performing for an audience comprising of just theatre practitioners. It was also exciting using the house and its elements for the piece.

The performance was much appreciated and led to conversations about the role of theatre in society, for it to change. We shared our perspective of beginning by understanding and developing the self for the its connection with society to become tangible, so that change is tangible. Listening to narratives of theatre groups working with labour movements, and villages, made us reflect on our own practice in the urban landscape of Delhi. Bittersweet conversations led to consuming melt-in-the-mouth rosogollas, a walk in the rain through the streets of Gariahat and a mad sprint to the station.

While it’s lovely having our feet rooted in Delhi for a while as we work on our next production and the many big plans for Aagaaz, the travel bug has definitely bitten us, and we are holding our breaths for the next opportunity that comes by.

Duniya Sabki @ Zorba the Buddha

Duniya Sabki @ Zorba the Buddha

We are super excited to announce our next public show. On the 8th of November we shall be performing Duniya Sabki at Zorba the Buddha! Kindly find the details mentioned below. Meanwhile, please be blocking time! 🙂

Duniya Sabki, inspired by Safdar Hashmi’s poem by the same name, deals with issues of entitlement. The play asks questions that are intensely relevant to the current scenario. Who does the world belong to? Who should the world belong to? Who occupies more space? Who has a louder voice? Through vignettes of the lived experiences of the members of the repertory this piece has been devised to provoke answers to these questions. Prahlad Tippaniya’s beautiful rendition of Kabir’s ‘mat kar maya ka ahankaar’, Dushyant’s ‘sau mein sattar aadmi’, and the popular ‘kahab toh lag jaaye dhak se’ breathe life into the narrative.

Duration 45 minutes (Show) + 15 minutes (Conversations)

Cast: Muzammil, Shahid, Nagina, Jasmine, Ismail, Saddam, Danish, Rukhsana, Nagma, Sajida, Mehjabeen, Nahid, Tuba, Ayesha, Ladlee, Heena, Anjum, Zarina, Ameena, Zainab
Sound Design: Anirban
Music: Kunal, Sukriti, Vanshika, Divyam
Production Manager: Shivi
Director: Sanyukta

Event Details
Sunday, 8 November
6:30 PM – 8:00 PM

This is a Free Event & a Private Gathering
We will raise a hat for the artists and donations are welcome
Children below 10 years are not allowed

Optional Dinner can be availed at a subsidized contribution

Limited Capacity, Book Soon!!!

For Reservations & More Details
07827706109
09311131096
seek@zorbathebuddha.org

https://www.facebook.com/events/1659964464288472/