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Towards a Theatre of Possibility~ Sakhi Upadhyaya

When Sanyukta and I walked into a “capacity-building” workshop organised by Junoon Theatre in Mumbai, I did not know what to expect. It was my first “professional engagement” as a member of Aagaaz. I was jittery, nervous even. What capacities were we attempting to build? What actually awaited us was two days of deliberation, not so much as building but breaking apart what we understood ‘theatre’ to be. “Theatre for children” to be more specific: What did the assembling of these words in this specific order entail?

Theatre, drawing from my interpretation of the haphazard combination of flowcharts and notes from those two days, could be anything one wanted it to be. Especially so with children, toddlers and young adults. A language, a space, an exploration, an activity. Theatre was social, it was political. It was relational, contextual. It was imagination and assertion. However, for me, theatre was always ‘in the making’. It was powerful, but a power that was malleable and subject to destruction or creation as one saw fit. What I mean is that in my limited experience of being a theatre practitioner in Delhi, the edifice of what we called ‘theatre’ was always being broken down and built back up; not by self-professed practitioners like me, but by its encounters with the public at large. Who best to tear something apart and build it back up, refashion it and give it new life, than children?

Theatre was, and in my experience with Aagaaz, has never been a “struggle” to perfect that performance, or to become an expert in this form. The Junoon workshop was an appropriate beginning, of thinking about the possibilities enclosed within what parades as ‘theatre’ and myself. “So let us proceed.” I thought to myself, “Let me allow things in my narrow worldview to fall apart and fall back together.” And that is exactly what I know August will bring, as my journey with Aagaaz “formally” begins. The possibility of many stories, many failures and many creations. Before we left for Mumbai, Sanyukta and I were talking over the phone. “You know, I’m not jittery in the ‘scared’ way, just jittery in the excited, there-are-so-many-things-to-do-and-discover kind of way. Get what I mean?” I told her. And I could hear her subtle acknowledgement in the giddy laughter she replied with.

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